Home Listen The Science Store About Blog Free Tool Contact Clinical

The Creator

Andrew Sorg

Professional Musician · Composer · Audio Engineer

I have spent my entire adult life inside sound, performing at the highest levels of professional orchestral music, observing the physics of acoustics and composing original works. Bilateral Sound Lab is where that lifetime of sonic experience meets the science of how the brain processes bilateral stimulation.

This is not a wellness brand built by a marketer. Every session in the catalog was designed by someone who has spent 25 years understanding how sound moves through space, how it is felt in the body, and how precision in frequency and panning changes what the listener experiences neurologically.

25+ Years Professional Performance Boston Conservatory Audio Engineer Composer
Andrew Sorg

01

A Career Built on Sound

Music has been my entire professional life. Over almost three decades I have performed at the highest levels of orchestral and chamber music in the United States, not as a hobby or a side pursuit, but as the sole focus of a career built on precision, passion, and an intimate understanding of how sound is experienced by the human body.

Why this matters for bilateral audio: Orchestral performance requires an acute understanding of how sound travels through space, how left-right positioning affects perception, and how subtle changes in timing and frequency alter the listener's experience. These are not abstract concepts, for me, they are the technical foundations of the same precision and passion applied to every bilateral sweep, every panning arc, and every frequency choice in the Bilateral Sound Lab catalog.

02

From the Concert Hall to the Headphones

Chamber music performance is fundamentally about bilateral and spatial listening. As a member of professional brass ensembles for over two decades, performing hundreds of concerts and master classes across the country, I developed a deep and practiced understanding of how sound moves through stereo space and how that movement is felt by the listener.

From the concert hall to the headphones: The spatial awareness developed through decades of chamber performance, experiencing exactly how sound moves from left to right, how it feels in the body when it crosses the midline, and how timing affects the sense of movement, is the same awareness I bring to designing bilateral sweeps. The left-right alternation in our audio is not a software setting. It is a craft decision based on how our brain reacts to sound made by someone who has lived inside stereo sound fields their entire professional life.

03

What This Means for the Audio

I have worked as a professional audio engineer for major symphony orchestras, recording and producing broadcast-quality sessions in demanding live environments. I compose and produce in Logic Pro X, and have engineered recordings released on professional labels. The technical side of sound has always been part of my musical life, not separate from it.

What this means for the audio you're buying: Every session in the Bilateral Sound Lab catalog is engineered at 24-bit / 48kHz, broadcast quality. The panning precision, the frequency balance, and the spatial architecture of each track reflect professional engineering standards, based on brain waves, and scientifically how the brain reacts to those waves as they are panned left to right. When you hear the sound move in your headphones, it is precisely built with the same care I bring to my performances as a musician.

04

Teaching, Education, and Understanding How People Learn Through Sound

For over two decades I have taught at every level from elementary through doctoral and have sent students to the biggest music competitions where they have placed first and second nationally.

Teaching music at this level requires understanding not just the mechanics of sound production but how the human nervous system responds to sound, rhythm, and bilateral movement. It has a neurological dimension. You cannot teach music performance without developing a deep intuition for how the body and brain respond to structured auditory input.

The connection to EMDR and bilateral stimulation: The same understanding of how rhythmic, structured auditory input affects nervous system state, the calm focus required for difficult techniques, the grounding needed before a performance, and the integration of physical and cognitive response to sound, underpins the design of every Bilateral Sound Lab session. This is not a theoretical connection. It is the product of my experience at the intersection of human physiology and precision sound.

05

Why I Built Bilateral Sound Lab

Bilateral Sound Lab exists because I saw a gap. The bilateral and EMDR audio available online ranged from clinically adequate to genuinely poor, simple panning effects applied to generic soundscapes with no real understanding of frequency architecture, acoustic precision, or the neurological mechanisms at work.

Every series in the catalog, from the clinical EMDR support protocols of Series I to the experimental Phi frequency architecture of Series V, reflects a genuine attempt to build bilateral audio that is as technically precise and neurologically intentional as the performance standards I have held myself to throughout my entire career.

This is original, real-recorded audio. No AI generation. No templated soundscapes. Every session was designed, engineered, and produced by a professional musician. That matters because the precision of the bilateral sweep, the quality of the frequency content, and the spatial architecture of the audio are exactly what determine whether it works.

Ready to hear the difference?

Twenty-five years of professional performance, audio engineering, and acoustic expertise, now in your headphones.

Browse the Albums Read the Science